Review | From the screen to the stage: Nitish Barbharwaj ” S ‘Chakravyuh’ Brings a painful Mahabharata’s pain back into life
The HBE’S WEADE WEADE ‘ALL WEEVE OF ALL WOME BOY BOARD AND MAKE everyone else realizing how to kill. Groups are fighting for each other, the brothers fought with each other, and the waiting for the throne and expelled this wonderful account. But what if I tell you, the Indian audience already sees something twenty and twenty before they ‘come’ until they do Premiererere. What if I tell you, the Hit HBo program actually takes all the leaves out of this specific Indian fiction ideas to show how covetousness can be the end of the whole State? Sounds funny, right? However, it is true, and the program I am talking is to be “Mahabharata,” Indian Epic that cover the greatest battle that ever fought between two sides of the same family. In India, the text has been converted over and over and over, but no one beaten the first drama of 1988. However, recently I saw a game named “Chakravyuh,” Focusing on that important part of that war and gives us a view of things like war, strategy, cruelty, and many other things. The little chunk of the story is enough to give you a global shower and the consequences of the war.
The game, written and directed by Atul Satya Kousik, seeing the Nitish Bhardwaj character playing Lord Krishna. Bhardwaj played the same character in the 1988 drama, which made him name of the house. Playing is a story of a Thirteenth War of Mahabharata between Pandavas and Kauravas. Of the foreigners, all the people on both sides are boring and fight against each other and seek the throne of Hastenapura. Both sides have a lot of jealousy for each other, but especially it was the kauravas that created all the roads. Until thirtenth day, Cakauravas found it difficult to limit over the Pandavas and are needed to do whatever approaches the fighting war.
Chakravyuh – The story not just with nostalgia, but the sacrifice and the end
At that time, Pandavas and King Krishna is ready to send a younger warrior, no manhood, in the battlefield. Now, they knew that the Cauravas would use “Chakravyuh” to kill a person, and his justice who knew this way, even when he was in the womb of his mother. When Abimyya entered the battlefield, he was pulling out everybody, forcing the Cakauravas to use “Chakravyuh” to the Nabisanyu. A large war occurred between the seven of the seven soldiers in Kauravas. This is the primary storyline of theater, and although Indian audience may have seen this much time, the writer and the characters offer burning experience in difficult audience and excellent.
In the world where monagarata is also repeatedly updated, “Chakravyuh” She feels like a fresh air. Generally, it takes a lot of courage to deal with one of the hardest chapters of the EPIC and put that stage. But Atul performed a good work by sharing their edges, of the philosophy, and doing it. Since then Bardaj entered the stage, there is one – not one of the dramatic events, but the calm and divine wisdom. You carry Grishna in Krishna and not good at all, but with a subtle authority, the dust pools, and the discussions that feel like lines. His presence suggests all manufacturing, the philosophy of philosophy while making conflicts feel personal.
But this play is not just Nostalgia. It is about sacrifices by people who work, IDharma, and Destiny. Just as King Krishna knew about the outcome of the end, he tried everything to stop the war. But you can’t fight Destiny, of course? Even when known that millions of people would die, the war occurred, and that made it worse that two sides of the family fought. Atul writing is full of philosophy, and it shows. All chats between Krishna and other characters are made of existing weight, about choice, work, fear, and conclusions. The script is not a rapid; Allows ideas to breathe. While playing centers are in war and betrayal, her soul is lying on the inner letters of their characters. By seeing, this is one of the most amazing things for the theater I have seen. From the lighting to sound, everything is working on purpose and only upgrading viewing experiences.
Bharwaj Helps as King Krishna; Sushmita Mehta Triumps
If it is spoken of doing the work Chakravyuh, This play is for the Nitish Bharwaj and his good performance. When he played Lord Krishna in a real TV series, people often touched her as King Krishna. About 30 years later, they feel like. Whenever he is in the paragraph, it takes you a storm with his hidden but strong storm. At that time, Sahil Charbra, who played No ibhidarity, put her chastness and longing to join the war. You are smarter at the same time, and it is completely powerful for the next. But one of the memorable actions from Sushmita Mehta, who plays the wife of Abiphara, Uttara.
Often sacrificed sides in the part, where the quiet congregation. The actor brings great emotional depth, which makes us feel the weight of his loss even before it happened. His scenes, especially monologues who think of love, war, and the future, are among the most powerful. Its lack of use is our help, and we are immediately connected to him.
Allegedly, Chakravyuh It is not a conquering story; It is actually the opposite. Fear of life losing life, the war is breaking, and how might happen to not kill hero, it is about everything you don’t want to see. But, even in those cases, the story captures what life is about. It is uncertain, cruel at times, and it is wrong. The account is an indication of the hardest questions in life. The incident is a reminder that even the issues we think we know, there is still a place to be surprised, the heart abuse, and reinstate.
