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Reviews: “Vermeer’s” Love Letters in the Black Territor

Johannes Vermeer, The Woman and MascementCa. 1664-67; Oil in canvas, 35 1/2 x 31 in. Photo: Joseph Coscia JR., Cututity of the Frick Collection

The woman lives on the right, wearing a yellow coat with grass, full pearl in her visible ear. One hand touches his beard, and the other we become a place to write. Making hair contains her golden hair, although some spring get around her face in strong ringslets. His garment, along with a box that appears and silver and a glass is set to the table before him, passing on to rich.

Right, the second number from the shadows appeared in his hand, in his hand, before his small garment, Drabb, Drabb, compared to his wife. Although the mistress expression is opposed, as his many kingdom is hidden, his inner life is very important in this paint. “It is a school of Emotional Emotional, that expectation, expectation, that arises in this moment,” Curator and Curator and ART Scholar Robert Robert Fucci, Frick, said Media Media.

We cannot make sure who wrote the book or what contains, but according to the Fucci, yellow woman is involved in the cord or line. There is respect and the privacy between him and his maids, emphasized by the Vermeer’s Velmeer but after a black temporary. A virgin is found with feelings and events in life’s life, where others in his orbit may not be ignorant.

See also: José María Velasco’s Mexico glitter at London’s National Gallery

The Woman and Mascement It was the last drawing of Henry Clay Frick found – 1919 after a fascinating list of Masterwork Galen Age Massun – Was the Gailer’s Breder, Loan Galled of Epistolary Exchanger – Amsterdam’s Rojksem, respectively.

The content of books have long been a miracle of arts and books, representing human communication, moving communities and form emotional differences. Its resonances in the area and in the other side of the CANON, from John Cally Callot’s Horpy’s Standing St. New. Valentine In the Eldzier CORTORT’S Nightbook or Montesquieu’s Literer Persanes In Alice Walker’s Color purple. Something closely is interesting about changing: The act of fruitfulness in paper, movement from hand to the end of stories or feelings.

The woman sitting aside plays Centter as her girlfriend passes a book. The viewer is looking at the way.The woman sitting aside plays Centter as her girlfriend passes a book. The viewer is looking at the way.
Johannes Vermeer, A Book of LoveCa. 1669-70; Oil in canvas, 15 5/16 x 15 3/16 in. The grace of the heroic collection, from the collection of Rijksmuseum, Amsterdam; Bought with support of Memenoging Rembrandt

Dutch’s Golden Ark, Vermer lives since 1632 to 1674. Frick Curator Aimate Ng, who had studied with the closing of these people after the closure of the 2013 when the star was Mauriis, A girl with a pearl historyWe were in the phase and had lines around the block. “

With frick indicating temporary trifecta indicating the mormeer treatment of the theme (and Officer and a girl laughing including The girl disagvors her music In the months of their large stairs) and five work artist in the artist in the Metropolitan Museum of art, see the third part of Vermeer of thirty drawings right now in Memanhattan east of the east.

The art chamber with dark gray walls and wooden parquet lung puts three paintings, each is placed and placed within a roof roof like a brilliant group.The art chamber with dark gray walls and wooden parquet lung puts three paintings, each is placed and placed within a roof roof like a brilliant group.
Views of the installation of the “vermeer’s love character.” Photo: Joseph Coscia JR.

At rijksmusum’s A Book of LoveThe viewer becomes a voyeur, looking in a separate room, as both figures are found by the role. The structure takes a higher emotional amount, a maid, just disturbed his wife and plays the CitTrl to give the edge. Among the surrounding home ephera – Map, musical sheets, a chair in seat – the wife and Maid light and Maint’s speech.

Ronald S. Gallery new S. Laudi Exhibition, which is the Vermeer’s Love to identify the block.

The third drawing of the exhibition, the National Irish National Gallery The woman writes a letter to her maidsHe gives the wife and lessens the weight of equal view. The woman sideways puts a book, when his girlfriend looks good in the window. According to the Fucci, these opposing events form a time experience in the picture. Before you hang out the Bible’s painting for Moses’ life. I looked forward to the drawing, a red mark, the wax rod of seal and paper polluted. Photo, for its almost quality, is open to various interpretations. “These drawings give us the opportunity to fill in the gaps,” he said.

The woman includes a book as her girl looking at the window.The woman includes a book as her girl looking at the window.
Johannes Vermeer, A lady who writes a book and a maidenCa. 1670-72; Oil in canvas, 28 x 23 13) in. By the kindness of the country of Ireland, Dublin; Presented by Sir Alfred Nolamy Beit, 1987 (Cakes collection)

It is interesting to be shown The woman writes a letter to her maids It’s been a long time settled, but a series of patents of A Book of Love It was clear until recently. The late Demmer’s subsequent death document shows that his widow has given two drawings to the main Delft baker to solve the debt of 600 guests. He also included a fraud in the hope that he could return, as he loved him “” said Fucci. The World’s Gallery in Ireland’s Vermeer was one of them, and just suggested that the second was A Book of Love-Plated in the document called “a woman plays Cettern” -Rether Than Guitar player At Kenwood House in London.

“Vermen’s Love books” viewed from Frick on August 31, 2025.

The silent account and to express the exchange of



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