Earlier this month, the Espoo Museum of the Finnish Art of Modern Art and Proter Nucrator Krist GruijthuijthuijthuijthuijthuijSen will work as the next CEO director. Between 2016 and 2024, GRUUJEJEZEZ WAS Director of KW Institute of Modern Arts in Berlin, and also arrives to convert exhibitions that show throughout the country and the worldwide art world. You have the selected shows in the elbord, Ian Wilson, Adam Pendon, Hinald Jones, Hrein Wijnarowicz, Hrein Frienselsson, Hassan Friqinselsson, Hassan Sharif and Leonilson among others. We met him to hear his new Gig.
Congrats on your new job! What excits you with the hope of working with Emma?
Thank you! Emma is found in a strong geopolitical situation, which provides more opportunities and opportunities. Through its international system and outstanding construction, the museum has developed a name established by itself, national and international, decades ago. It is because of the thought-forward attitude is my interest. I look forward to reading in the region and groups of a museum of the hands muse.
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This new post represents something from house at home, because you have learned in Stockholm. What is something about Scandinavia Art Scene that can surprise students who don’t know about?
Finally, Finland is not the official part of Scandinavian but part of the broader Nordic Region and that’s exactly what’s good for me. I will not be able to do so commonly in the perfect Nordic Artistic System as all countries have their own. Finland especially has a different culture designed by its precise history between Sweden and Russia. It is indeed its culture, and that such complex is shown in its artistic environment in fascinating ways.
You were the director of KW Institute of Modern Arts in Berlin between 2016 and 2024. Art in that city changed at that time?
Politically, Berlin changed dramatically by the progress of this time, which had a huge impact on local location and production. Berlin came back in 2016 and longed to establish a strong cultural site, which provided many opportunities for growth. Unfortunately, because of Covid-19 and ongoing wars in Ukraine and Gaza, the city fell in depression. I still find a berlin a unique artistic expression, but its energy requires reconstruction, difficult under current condition.
In Emma, he takes the long director Pilvi kalama. What is your idea of the estate he left the center?
Pilvi’s employment has been a basis for creating Emma at the center. The amazing increase in the museum has everything in its program and institutions are included in his leadership. Emma’s unique profile, which brings together modern and modern art, combined with its long-lasting partnerships in large collections, provides a declined and stimulating basis of construction.
What are your Emma plans, talk more? What are you feeling your mission there?
First and very important, I want to give time to check and study in the region and many groups that are addressed by Emma. Only for that process I can start to describe directions clearly. As the Greatest Museum in Finland, Emma holds a different position, but is very thin (will turn the next 20th year), so there is many opportunities and the power to improve the muzualu. Very few international directors have worked inside the Finnish art of Finland, and I believe that bringing an external view can encourage new syns and location and location. It is very interesting to be part of creating its next chapter.
You do not take part in the Director at Emma but also CEO. What does that mean?
I am responsible for full work, including its business side. I believe it is important to know every Angle and the center details for growing and developing progressively.
He currently improves Paul Thek Baze to Kunsthaus Zürich. Can you tell us anything about that?
Last year, I was stopped by Kunthaus Zürich as a major administrator to develop this reset, which will take a few years and will visit some different institutions. Tok practice is complicated and requires a lot of research and time preparation, especially as the new scholarship is continuous and new information information. The TheK is a true artist artist, and his influence in laterally followed generations. The exhibition intends to introduce a broader idea that starts from 50s all the way until he died in 1988.
