Review: “Cindy Sherman. Women” in Hauser & Wirth Minorca

In the latest conversation, Cindy Sherman disclosed you learn Ottessa Mhfghe work. With a writer’s goal My year of rest and restOne character says: “We will soon grow old and be bad. Life is short, you know? Dying of the dead. Sherman’s shown of Fenality, which often promises in gosque, is fighting for this mindset. His exclusive consequence, if offered by Prosthetics and digital technology – has an unpleasant desire that can affect the woman’s age, which is the best stars of women. A good corpse compare comparisons with a “old and bad life” in the wheels of Sherman alphabet, saying nothing to real women in our patriarchal society.
Long-term attractions by artist testing for sex work and Persona built in the community they did not appear. Last year, Sherman had Solo Form Form Belwomuseum Antwiter, Switzerland in Phoresée and Korea Estace Louis Vuitton Seoul. The latest recent, Hauser & Wirth’s Menorca area, features work from 1970 to 2010s from the eighth series. The article “Cindy Sherman was a large huge width at that time and over was made by film. [akin to] Cindy Sherman and his study story, “Tanyararo Baratorial, Curatorial Historior Director Director in Hauser & Wirth and Csator of the Show, said the media.
Sherman’s resurrections in Womany is shown here in reverse Chronology: The show begins with a job that appears ten years ago and then goes back during the artist. According to Barson, “it is not a perfect show in any way, but it includes his work.”


The opening room includes a two series of large format, both commissions for published published. The Best Places . (Sherman did not name any of his work from there Film that can be like1977-1980; Some have described his series of content, and these illegal decisions are often adhering. The second series showing two images from the 2016 series designed for Harper’s Bazaar-holding is the number of decoration and the first iphone installation station at the unreasonable forest. Sherman’s commitment to a variety of female personality through texts and interrogation, “Barson said.” You are a wonderful actor and a story dealer. “
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The second room causes a series known as Flapsers . Toys have a new mark for today’s woman, ripe red and smoking. Although illegal, the backgrounds present the skyscrapers in New York or Cabaret culture of Neue SackKeiteit in Berlin. Old starlets shown resistance to that, in the names of the Showbiz, they pass ahead. Did Sherman judge these women to intervene to adapt to claying clay? Barson takes a soft idea: “I think you can’t take a character in this distance by closer to accuracy without being sensitive.” In the ART21 video viewed at the end of the exhibition, Sherman denies that he intends to criticize his subjects, even the unpleasant appearance.
Next following the best cheran’s most well-known cherk, Film that can be like . Sherman drew in Post-War Cinema: 1950s Hollywood, French Nouvelle Vie, Italian New Rearist Cinema. Before the digital technology begins, Sherman put his figures directly in their area (“like recording,” Barson said. One wall hit the film like a wallpaper where the pictures are hung: “It is less.”


This late-year-old 1970 session was at the time of the Generation Photos, dealing with the Trappings of Media Media (among them Laurie Simmons, Richard Prince and Barbara Kruger). This was ten years when “women’s organization demanded the body of a woman as a political struggle, collaborate in accordance with abortion rights,” but other problems that are not in women’s oppression. “The politics of the corpse ended the political partnership of the body ‘by leading to what he saw as” political Aette. “
According to the title of a political Aestetics, Barson observes John Berger’s Ways to seePublished in 1972, he carefully considered how the men view women and how women viewed coping. This kind of hypererchite is in the spine of the best choice for Sherman. Barson German said that he was decades before our current communication moment and the construction of the camera identity. “
In the next room there is a separate series from Sherman’s seafar, produced when he was a college student. Bus passengers . Mystery of Killing a younger one obviously. No series shown up to 2000. The last series of the room, Track . The art of making photos hidden: Electrical wires are visible in these black and white pictures.
Last Room holds the Posh Grande Dame Dame in golden gold – the only non-photographic pair of photographs pair – papped with two additional images from the Wicked Series. In this case Public character Since the 2008 series, made in front of the green screen, the use of a female blush use only emphasizes her care due to her grown development.
In all the exhibition, Barson celebrates Sherman’s power include joint joint pictures and to shape their new, despite pre-hearing. Barson puts it sure: “I think his talent is: This Ndnny’s Ndnny’s allows all we’ve seen … and put it in one picture.”
“Cindy Sherman. Women“Sehauser & Wirth in Menorca on October 26, 2025.


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